Marfa Sounding

Marfa Sounding brings together diverse voices from the world of music, art, and theory to explore the intersection of Minimalist practice and its politics. From the 1960s to the present day, artists such as Alvin Lucier and Éliane Radigue have pushed boundaries with their use of "phase shifting" - a technique where multiple versions of a sound or motif are played simultaneously but slightly out of sync.

Contributors include composers, writers, sound theorists, art critics, dance historians, filmmakers, students, curators, and archivists who share their insights on the evolution of Minimalist music. The conversations gathered in this book offer a nuanced understanding of the complex relationships between music, Minimalism, and politics.

Featuring contributions from artists such as Anna Halprin, Tarek Atoui, and Claudia La Rocco, alongside authors like Jennifer Burris and Ida Soulard, Marfa Sounding is a rich and thought-provoking exploration of the ongoing relevance of Minimalist music in contemporary culture.